It’s a beautifully written book, redolent with love of storytelling, folklore, and traditional music. It’s not as tightly-woven as I wanted it to be, though; I had to Google Wilbur Wright’s death in order to figure out when the book was set, and a few times times minor characters were so briefly mentioned or lightly sketched that I had forgotten them by the time they reemerged with some importance later on. Similiarly, there are some interesting, important-seeming elements that are never explained; vagueness that contributes to a creepy, tense atmosphere early in the book is ultimately unsatisfying when clarity never emerges.Natalie is a spunky tomboy, but not without context—she fits in perfectly with her mildly unconventional family, and if some of the townspeople aren’t overly approving of her choices of overalls instead of dresses, they tolerate her with affection. Her best friend is an effective foil: femme and frivolous, but brave when necessary. Natalie’s close-knit family is lovingly but honestly presented, with its members’ foibles and frustrations, its secret-keeping and its worry about Natalie’s mother, who is increasingly unwell—and Natalie’s obliviousness to her mother’s illness also has a ring of truth.The Boneshaker is a version of the old Devil at the Crossroads motif, and it plays well with the guilt, desperation, hubris, and determination of the several characters who face the Devil across the campfire.